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	<title>Scully Sound &#187; experimental</title>
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		<title>MetaFilter Compilation Album, Volume 1</title>
		<link>http://www.scullysound.com/2006/12/03/metafilter-compilation-album-volume-1/</link>
		<comments>http://www.scullysound.com/2006/12/03/metafilter-compilation-album-volume-1/#comments</comments>
		<pubDate>Sun, 03 Dec 2006 16:22:53 +0000</pubDate>
		<dc:creator>Sarah</dc:creator>
				<category><![CDATA[electronic]]></category>
		<category><![CDATA[experimental]]></category>
		<category><![CDATA[folk]]></category>
		<category><![CDATA[rock]]></category>
		<category><![CDATA[solo]]></category>

		<guid isPermaLink="false">http://www.scullysound.com/2006/12/03/metafilter-compilation-album-volume-1/</guid>
		<description><![CDATA[It has been my pleasure to master the first-ever community CD project from MetaFilter.  Under the careful wrangling of cortex (aka. Josh Millard), the project came together over the course of the summer. This was a fun and challenging album to work on, with tracks ranging in style from electronica and folk to garage-punk [...]]]></description>
			<content:encoded><![CDATA[<p>It has been my pleasure to master the first-ever community CD project from <a href="http://metafilter.com">MetaFilter</a>.  Under the careful wrangling of <a href="http://www.metafilter.com/username/cortex">cortex</a> (aka. <a href="http://www.joshmillard.com/">Josh Millard</a>), <a href="http://meficomp.com/">the project</a> came together over the course of the summer. This was a fun and challenging album to work on, with tracks ranging in style from electronica and folk to garage-punk and rock.  Thanks to the <a href="http://meficomp.com/artists">musicians</a>, the visual artists, and, of course, to <a href="http://www.metafilter.com/username/mathowie">Matt</a> and <a href="http://www.metafilter.com/username/jessamyn">Jessamyn</a>, the admins of MetaFilter for supporting the endeavor. Proceeds go to charity, so <a href="http://meficomp.com/order">order a copy today!</a></p>
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		<title>Shull, Flandreau, Radding</title>
		<link>http://www.scullysound.com/2005/06/03/shull-flandreau-radding/</link>
		<comments>http://www.scullysound.com/2005/06/03/shull-flandreau-radding/#comments</comments>
		<pubDate>Sat, 04 Jun 2005 02:43:20 +0000</pubDate>
		<dc:creator>Sarah</dc:creator>
				<category><![CDATA[experimental]]></category>
		<category><![CDATA[jazz]]></category>

		<guid isPermaLink="false">http://www.scullysound.com/2005/06/03/shull-flandreau-radding/</guid>
		<description><![CDATA[This experimental jazz trio explored rhythms and emotions with short, unscripted pieces.  This was my last gig with Bobby Hill and Transparent Productions. I greatly enjoyed working at Sangha to create this series of recordings.  The results were well received and I will miss this great performance space and all the people I [...]]]></description>
			<content:encoded><![CDATA[<p>This experimental jazz trio explored rhythms and emotions with short, unscripted pieces.  This was my last gig with Bobby Hill and Transparent Productions. I greatly enjoyed working at Sangha to create this series of recordings.  The results were well received and I will miss this great performance space and all the people I met.</p>
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		<title>Bread At The Gate</title>
		<link>http://www.scullysound.com/2005/03/27/bread-at-the-gate/</link>
		<comments>http://www.scullysound.com/2005/03/27/bread-at-the-gate/#comments</comments>
		<pubDate>Sun, 27 Mar 2005 16:47:10 +0000</pubDate>
		<dc:creator>Sarah</dc:creator>
				<category><![CDATA[experimental]]></category>
		<category><![CDATA[folk]]></category>
		<category><![CDATA[spoken word]]></category>

		<guid isPermaLink="false">http://www.scullysound.com/2006/02/20/bread-at-the-gate/</guid>
		<description><![CDATA[I recorded three songs for David Ben Reuven and his group, Bread at the Gate.  The recording took place at a band member&#8217;s house, and presented some unique challenges. I took direct signals from each instrument and blended that with room mics.  Recording the group as a whole allowed each member to explore [...]]]></description>
			<content:encoded><![CDATA[<p>I recorded three songs for David Ben Reuven and his group, Bread at the Gate.  The recording took place at a band member&#8217;s house, and presented some unique challenges. I took direct signals from each instrument and blended that with room mics.  Recording the group as a whole allowed each member to explore their improvisations much as they would in a live performance situation: the soloist and other musicians work together and play off one another in real time.  This is much different from the &#8220;overdubbing&#8221; that is usually done in studio work.</p>
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		<title>Bill Cole&#8217;s Untempered Ensemble</title>
		<link>http://www.scullysound.com/2004/11/14/untempered-ensemble/</link>
		<comments>http://www.scullysound.com/2004/11/14/untempered-ensemble/#comments</comments>
		<pubDate>Sun, 14 Nov 2004 13:00:01 +0000</pubDate>
		<dc:creator>Sarah</dc:creator>
				<category><![CDATA[experimental]]></category>
		<category><![CDATA[jazz]]></category>
		<category><![CDATA[reeds]]></category>

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		<description><![CDATA[As with Bill Cole&#8217;s previous appearance at Sangha, I used matched pair of small-diaphragm microphones set up about 15 feet from the stage.  The larger band and small stage area created a bit of a challenge, so I used a wider pattern to capture all of the instruments.  Fortunately, Sangha is a great [...]]]></description>
			<content:encoded><![CDATA[<p>As with Bill Cole&#8217;s previous appearance at Sangha, I used matched pair of small-diaphragm microphones set up about 15 feet from the stage.  The larger band and small stage area created a bit of a challenge, so I used a wider pattern to capture all of the instruments.  Fortunately, Sangha is a great recording space.  There is little street noise and the audiences are usually quiet for these gigs.</p>
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