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	<title>Scully Sound &#187; horns</title>
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		<title>New release from Vector Trio</title>
		<link>http://www.scullysound.com/2006/04/14/new-release-from-vector-trio/</link>
		<comments>http://www.scullysound.com/2006/04/14/new-release-from-vector-trio/#comments</comments>
		<pubDate>Fri, 14 Apr 2006 21:36:42 +0000</pubDate>
		<dc:creator>Sarah</dc:creator>
				<category><![CDATA[horns]]></category>
		<category><![CDATA[jazz]]></category>
		<category><![CDATA[percussion]]></category>

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		<description><![CDATA[Vector Trio Live in DC features tracks I recorded at Sangha and a later performance recorded by Rob at the Velvet Lounge.  Check out the experimental blend of technology and musicianship.
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			<content:encoded><![CDATA[<p><a href="http://vectortrio.com/liveindc.html">Vector Trio Live in DC</a> features tracks I recorded at Sangha and a later performance recorded by Rob at the Velvet Lounge.  Check out the experimental blend of technology and musicianship.</p>
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		<title>Byard Lancaster Unit</title>
		<link>http://www.scullysound.com/2005/04/29/byard-lancaster/</link>
		<comments>http://www.scullysound.com/2005/04/29/byard-lancaster/#comments</comments>
		<pubDate>Fri, 29 Apr 2005 17:10:43 +0000</pubDate>
		<dc:creator>Sarah</dc:creator>
				<category><![CDATA[folk]]></category>
		<category><![CDATA[horns]]></category>
		<category><![CDATA[jazz]]></category>
		<category><![CDATA[reeds]]></category>

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		<description><![CDATA[In April, 2005, Bobby Hill and Transparent Productions brought another jazz legend to Takoma Park at Sangha. Byard Lancaster wove a continuous tapestry of sound from the pre-show tune-up through the enthusiastic audience reception at the end of the concert, never stopping for more than a second.  His mix of African and Caribbean folk music, [...]]]></description>
			<content:encoded><![CDATA[<p>In April, 2005, Bobby Hill and Transparent Productions brought another jazz legend to Takoma Park at Sangha. Byard Lancaster wove a continuous tapestry of sound from the pre-show tune-up through the enthusiastic audience reception at the end of the concert, never stopping for more than a second.  His mix of African and Caribbean folk music, traditional jazz standards and original compositions blended into one long, joyful celebration. This was an amazing opportunity to witness Byard&#8217;s energy and how it affected everyone present.</p>
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		<title>Bauhaus Quartet</title>
		<link>http://www.scullysound.com/2005/04/16/bauhaus-quartet/</link>
		<comments>http://www.scullysound.com/2005/04/16/bauhaus-quartet/#comments</comments>
		<pubDate>Sat, 16 Apr 2005 18:03:51 +0000</pubDate>
		<dc:creator>Sarah</dc:creator>
				<category><![CDATA[bass]]></category>
		<category><![CDATA[horns]]></category>
		<category><![CDATA[jazz]]></category>
		<category><![CDATA[percussion]]></category>

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		<description><![CDATA[As part of a busy April schedule, I recorded Kevin Norton&#8217;s Bauhaus Quartet at Sangha.  The traditional structure of drums, bass, and horns provided a reference point.  Tony Malaby, saxophones, and Dave Ballou, trumpet, exchanged riffs over Kevin&#8217;s contemporary compositions, while John Lindberg, bass, provided texture and grooved during his solos.  The [...]]]></description>
			<content:encoded><![CDATA[<p>As part of a busy April schedule, I recorded Kevin Norton&#8217;s Bauhaus Quartet at Sangha.  The traditional structure of drums, bass, and horns provided a reference point.  Tony Malaby, saxophones, and Dave Ballou, trumpet, exchanged riffs over Kevin&#8217;s contemporary compositions, while John Lindberg, bass, provided texture and grooved during his solos.  The technical challenge was balancing the mellow tenor saxophone with the strong trumpet.  Overall, I&#8217;m pleased with the result.</p>
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		<title>Vector Trio</title>
		<link>http://www.scullysound.com/2004/03/13/vector-trio/</link>
		<comments>http://www.scullysound.com/2004/03/13/vector-trio/#comments</comments>
		<pubDate>Sun, 14 Mar 2004 03:41:06 +0000</pubDate>
		<dc:creator>Sarah</dc:creator>
				<category><![CDATA[bass]]></category>
		<category><![CDATA[horns]]></category>
		<category><![CDATA[jazz]]></category>
		<category><![CDATA[percussion]]></category>

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		<description><![CDATA[This was my first recording for the non-profit Transparent Productions, recorded live at Sangha in Takoma Park, Maryland.  Scott Forey, Marshall Hughey, and Gary Rouzer improvise over digital loops of sound which are created as part of the performance.  The intensity of the sound translated well on the recording without distortion.  Sangha&#8217;s [...]]]></description>
			<content:encoded><![CDATA[<p>This was my first recording for the non-profit Transparent Productions, recorded live at Sangha in Takoma Park, Maryland.  Scott Forey, Marshall Hughey, and Gary Rouzer improvise over digital loops of sound which are created as part of the performance.  The intensity of the sound translated well on the recording without distortion.  Sangha&#8217;s performance space is carpeted, and has high ceilings and nonparallel walls, creating an acoustical environment that is a treat for the engineer and the listener.</p>
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