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	<title>Scully Sound &#187; reeds</title>
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		<title>Byard Lancaster Unit</title>
		<link>http://www.scullysound.com/2005/04/29/byard-lancaster/</link>
		<comments>http://www.scullysound.com/2005/04/29/byard-lancaster/#comments</comments>
		<pubDate>Fri, 29 Apr 2005 17:10:43 +0000</pubDate>
		<dc:creator>Sarah</dc:creator>
				<category><![CDATA[folk]]></category>
		<category><![CDATA[horns]]></category>
		<category><![CDATA[jazz]]></category>
		<category><![CDATA[reeds]]></category>

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		<description><![CDATA[In April, 2005, Bobby Hill and Transparent Productions brought another jazz legend to Takoma Park at Sangha. Byard Lancaster wove a continuous tapestry of sound from the pre-show tune-up through the enthusiastic audience reception at the end of the concert, never stopping for more than a second.  His mix of African and Caribbean folk music, [...]]]></description>
			<content:encoded><![CDATA[<p>In April, 2005, Bobby Hill and Transparent Productions brought another jazz legend to Takoma Park at Sangha. Byard Lancaster wove a continuous tapestry of sound from the pre-show tune-up through the enthusiastic audience reception at the end of the concert, never stopping for more than a second.  His mix of African and Caribbean folk music, traditional jazz standards and original compositions blended into one long, joyful celebration. This was an amazing opportunity to witness Byard&#8217;s energy and how it affected everyone present.</p>
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		<title>Ethnic Heritage Ensemble</title>
		<link>http://www.scullysound.com/2005/02/05/ethnic-heritage-ensemble/</link>
		<comments>http://www.scullysound.com/2005/02/05/ethnic-heritage-ensemble/#comments</comments>
		<pubDate>Sat, 05 Feb 2005 18:36:09 +0000</pubDate>
		<dc:creator>Sarah</dc:creator>
				<category><![CDATA[folk]]></category>
		<category><![CDATA[jazz]]></category>
		<category><![CDATA[percussion]]></category>
		<category><![CDATA[reeds]]></category>

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		<description><![CDATA[The EHE combines a unique blend of native and jazz instruments to explore African-influenced and free-form jazz.  The highlight of this show was the vocal contribution by Kahil El&#8217;Zabar.  Fortunately, the small size of the venue made it easy to capture this nuanced performance on the recording.
]]></description>
			<content:encoded><![CDATA[<p>The EHE combines a unique blend of native and jazz instruments to explore African-influenced and free-form jazz.  The highlight of this show was the vocal contribution by Kahil El&#8217;Zabar.  Fortunately, the small size of the venue made it easy to capture this nuanced performance on the recording.</p>
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		<title>Bill Cole&#8217;s Untempered Ensemble</title>
		<link>http://www.scullysound.com/2004/11/14/untempered-ensemble/</link>
		<comments>http://www.scullysound.com/2004/11/14/untempered-ensemble/#comments</comments>
		<pubDate>Sun, 14 Nov 2004 13:00:01 +0000</pubDate>
		<dc:creator>Sarah</dc:creator>
				<category><![CDATA[experimental]]></category>
		<category><![CDATA[jazz]]></category>
		<category><![CDATA[reeds]]></category>

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		<description><![CDATA[As with Bill Cole&#8217;s previous appearance at Sangha, I used matched pair of small-diaphragm microphones set up about 15 feet from the stage.  The larger band and small stage area created a bit of a challenge, so I used a wider pattern to capture all of the instruments.  Fortunately, Sangha is a great [...]]]></description>
			<content:encoded><![CDATA[<p>As with Bill Cole&#8217;s previous appearance at Sangha, I used matched pair of small-diaphragm microphones set up about 15 feet from the stage.  The larger band and small stage area created a bit of a challenge, so I used a wider pattern to capture all of the instruments.  Fortunately, Sangha is a great recording space.  There is little street noise and the audiences are usually quiet for these gigs.</p>
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		<title>Bill Cole and Warren Smith</title>
		<link>http://www.scullysound.com/2004/04/04/bill-cole-and-warren-smith/</link>
		<comments>http://www.scullysound.com/2004/04/04/bill-cole-and-warren-smith/#comments</comments>
		<pubDate>Sun, 04 Apr 2004 22:35:46 +0000</pubDate>
		<dc:creator>Sarah</dc:creator>
				<category><![CDATA[percussion]]></category>
		<category><![CDATA[reeds]]></category>

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		<description><![CDATA[I first recorded Bill Cole and Warren Smith when they performed as a duo at Sangha in Takoma Park, MD.  Bill (double reeds) and Warren (percussion) have been performing together for years, a fact that reveals itself in their intuitive musical chemistry. Several months later I was asked to come back and record Bill&#8217;s [...]]]></description>
			<content:encoded><![CDATA[<p>I first recorded Bill Cole and Warren Smith when they performed as a duo at Sangha in Takoma Park, MD.  Bill (double reeds) and Warren (percussion) have been performing together for years, a fact that reveals itself in their intuitive musical chemistry. Several months later I was asked to come back and record Bill&#8217;s larger Untempered Ensemble.</p>
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