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	<title>Scully Sound</title>
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	<link>http://www.scullysound.com</link>
	<description></description>
	<pubDate>Fri, 27 Jul 2007 15:16:13 +0000</pubDate>
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	<language>en</language>
			<item>
		<title>MetaFilter Compilation Album, Volume 1</title>
		<link>http://www.scullysound.com/2006/12/03/metafilter-compilation-album-volume-1/</link>
		<comments>http://www.scullysound.com/2006/12/03/metafilter-compilation-album-volume-1/#comments</comments>
		<pubDate>Sun, 03 Dec 2006 16:22:53 +0000</pubDate>
		<dc:creator>Sarah</dc:creator>
		
		<category><![CDATA[electronic]]></category>

		<category><![CDATA[experimental]]></category>

		<category><![CDATA[folk]]></category>

		<category><![CDATA[rock]]></category>

		<category><![CDATA[solo]]></category>

		<guid isPermaLink="false">http://www.scullysound.com/2006/12/03/metafilter-compilation-album-volume-1/</guid>
		<description><![CDATA[It has been my pleasure to master the first-ever community CD project from MetaFilter.  Under the careful wrangling of cortex (aka. Josh Millard), the project came together over the course of the summer. This was a fun and challenging album to work on, with tracks ranging in style from electronica and folk to garage-punk [...]]]></description>
			<content:encoded><![CDATA[<p>It has been my pleasure to master the first-ever community CD project from <a href="http://metafilter.com">MetaFilter</a>.  Under the careful wrangling of <a href="http://www.metafilter.com/username/cortex">cortex</a> (aka. <a href="http://www.joshmillard.com/">Josh Millard</a>), <a href="http://meficomp.com/">the project</a> came together over the course of the summer. This was a fun and challenging album to work on, with tracks ranging in style from electronica and folk to garage-punk and rock.  Thanks to the <a href="http://meficomp.com/artists">musicians</a>, the visual artists, and, of course, to <a href="http://www.metafilter.com/username/mathowie">Matt</a> and <a href="http://www.metafilter.com/username/jessamyn">Jessamyn</a>, the admins of MetaFilter for supporting the endeavor. Proceeds go to charity, so <a href="http://meficomp.com/order">order a copy today!</a></p>
]]></content:encoded>
			<wfw:commentRss>http://www.scullysound.com/2006/12/03/metafilter-compilation-album-volume-1/feed/</wfw:commentRss>
		</item>
		<item>
		<title>New release from Vector Trio</title>
		<link>http://www.scullysound.com/2006/04/14/new-release-from-vector-trio/</link>
		<comments>http://www.scullysound.com/2006/04/14/new-release-from-vector-trio/#comments</comments>
		<pubDate>Fri, 14 Apr 2006 21:36:42 +0000</pubDate>
		<dc:creator>Sarah</dc:creator>
		
		<category><![CDATA[horns]]></category>

		<category><![CDATA[jazz]]></category>

		<category><![CDATA[percussion]]></category>

		<guid isPermaLink="false">http://www.scullysound.com/2006/04/14/new-release-from-vector-trio/</guid>
		<description><![CDATA[Vector Trio Live in DC features tracks I recorded at Sangha and a later performance recorded by Rob at the Velvet Lounge.  Check out the experimental blend of technology and musicianship.
]]></description>
			<content:encoded><![CDATA[<p><a href="http://vectortrio.com/liveindc.html">Vector Trio Live in DC</a> features tracks I recorded at Sangha and a later performance recorded by Rob at the Velvet Lounge.  Check out the experimental blend of technology and musicianship.</p>
]]></content:encoded>
			<wfw:commentRss>http://www.scullysound.com/2006/04/14/new-release-from-vector-trio/feed/</wfw:commentRss>
		</item>
		<item>
		<title>Kaosufi</title>
		<link>http://www.scullysound.com/2005/12/02/kaosufi/</link>
		<comments>http://www.scullysound.com/2005/12/02/kaosufi/#comments</comments>
		<pubDate>Fri, 02 Dec 2005 22:13:27 +0000</pubDate>
		<dc:creator>Sarah</dc:creator>
		
		<category><![CDATA[hip-hop]]></category>

		<guid isPermaLink="false">http://www.scullysound.com/2006/02/16/kaosufi-kay-os-oofi/</guid>
		<description><![CDATA[Friends Matias O&#8217;Din and Brefix are a spiritual/political hip-hop duo hailing from DC.  In the fall of 2005 I mastered their first release, Underdress&#8217;d for the Apocalypse, which is now available directly from the artists.
]]></description>
			<content:encoded><![CDATA[<p>Friends Matias O&#8217;Din and Brefix are a spiritual/political hip-hop duo hailing from DC.  In the fall of 2005 I mastered their first release, <i>Underdress&#8217;d for the Apocalypse</i>, which is <a href="http://kaosufi.com/Store.html">now available</a> directly from the artists.</p>
]]></content:encoded>
			<wfw:commentRss>http://www.scullysound.com/2005/12/02/kaosufi/feed/</wfw:commentRss>
		</item>
		<item>
		<title>Shull, Flandreau, Radding</title>
		<link>http://www.scullysound.com/2005/06/03/shull-flandreau-radding/</link>
		<comments>http://www.scullysound.com/2005/06/03/shull-flandreau-radding/#comments</comments>
		<pubDate>Sat, 04 Jun 2005 02:43:20 +0000</pubDate>
		<dc:creator>Sarah</dc:creator>
		
		<category><![CDATA[experimental]]></category>

		<category><![CDATA[jazz]]></category>

		<guid isPermaLink="false">http://www.scullysound.com/2005/06/03/shull-flandreau-radding/</guid>
		<description><![CDATA[This experimental jazz trio explored rhythms and emotions with short, unscripted pieces.  This was my last gig with Bobby Hill and Transparent Productions. I greatly enjoyed working at Sangha to create this series of recordings.  The results were well received and I will miss this great performance space and all the people I [...]]]></description>
			<content:encoded><![CDATA[<p>This experimental jazz trio explored rhythms and emotions with short, unscripted pieces.  This was my last gig with Bobby Hill and Transparent Productions. I greatly enjoyed working at Sangha to create this series of recordings.  The results were well received and I will miss this great performance space and all the people I met.</p>
]]></content:encoded>
			<wfw:commentRss>http://www.scullysound.com/2005/06/03/shull-flandreau-radding/feed/</wfw:commentRss>
		</item>
		<item>
		<title>Byard Lancaster Unit</title>
		<link>http://www.scullysound.com/2005/04/29/byard-lancaster/</link>
		<comments>http://www.scullysound.com/2005/04/29/byard-lancaster/#comments</comments>
		<pubDate>Fri, 29 Apr 2005 17:10:43 +0000</pubDate>
		<dc:creator>Sarah</dc:creator>
		
		<category><![CDATA[folk]]></category>

		<category><![CDATA[horns]]></category>

		<category><![CDATA[jazz]]></category>

		<category><![CDATA[reeds]]></category>

		<guid isPermaLink="false">http://www.scullysound.com/2005/04/29/byard-lancaster/</guid>
		<description><![CDATA[In April, 2005, Bobby Hill and Transparent Productions brought another jazz legend to Takoma Park at Sangha. Byard Lancaster wove a continuous tapestry of sound from the pre-show tune-up through the enthusiastic audience reception at the end of the concert, never stopping for more than a second.  His mix of African and Caribbean folk music, [...]]]></description>
			<content:encoded><![CDATA[<p>In April, 2005, Bobby Hill and Transparent Productions brought another jazz legend to Takoma Park at Sangha. Byard Lancaster wove a continuous tapestry of sound from the pre-show tune-up through the enthusiastic audience reception at the end of the concert, never stopping for more than a second.  His mix of African and Caribbean folk music, traditional jazz standards and original compositions blended into one long, joyful celebration. This was an amazing opportunity to witness Byard&#8217;s energy and how it affected everyone present.</p>
]]></content:encoded>
			<wfw:commentRss>http://www.scullysound.com/2005/04/29/byard-lancaster/feed/</wfw:commentRss>
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		<title>Bauhaus Quartet</title>
		<link>http://www.scullysound.com/2005/04/16/bauhaus-quartet/</link>
		<comments>http://www.scullysound.com/2005/04/16/bauhaus-quartet/#comments</comments>
		<pubDate>Sat, 16 Apr 2005 18:03:51 +0000</pubDate>
		<dc:creator>Sarah</dc:creator>
		
		<category><![CDATA[bass]]></category>

		<category><![CDATA[horns]]></category>

		<category><![CDATA[jazz]]></category>

		<category><![CDATA[percussion]]></category>

		<guid isPermaLink="false">http://www.scullysound.com/2005/04/16/bauhaus-quartet/</guid>
		<description><![CDATA[As part of a busy April schedule, I recorded Kevin Norton&#8217;s Bauhaus Quartet at Sangha.  The traditional structure of drums, bass, and horns provided a reference point.  Tony Malaby, saxophones, and Dave Ballou, trumpet, exchanged riffs over Kevin&#8217;s contemporary compositions, while John Lindberg, bass, provided texture and grooved during his solos.  The [...]]]></description>
			<content:encoded><![CDATA[<p>As part of a busy April schedule, I recorded Kevin Norton&#8217;s Bauhaus Quartet at Sangha.  The traditional structure of drums, bass, and horns provided a reference point.  Tony Malaby, saxophones, and Dave Ballou, trumpet, exchanged riffs over Kevin&#8217;s contemporary compositions, while John Lindberg, bass, provided texture and grooved during his solos.  The technical challenge was balancing the mellow tenor saxophone with the strong trumpet.  Overall, I&#8217;m pleased with the result.</p>
]]></content:encoded>
			<wfw:commentRss>http://www.scullysound.com/2005/04/16/bauhaus-quartet/feed/</wfw:commentRss>
		</item>
		<item>
		<title>Bread At The Gate</title>
		<link>http://www.scullysound.com/2005/03/27/bread-at-the-gate/</link>
		<comments>http://www.scullysound.com/2005/03/27/bread-at-the-gate/#comments</comments>
		<pubDate>Sun, 27 Mar 2005 16:47:10 +0000</pubDate>
		<dc:creator>Sarah</dc:creator>
		
		<category><![CDATA[experimental]]></category>

		<category><![CDATA[folk]]></category>

		<category><![CDATA[spoken word]]></category>

		<guid isPermaLink="false">http://www.scullysound.com/2006/02/20/bread-at-the-gate/</guid>
		<description><![CDATA[I recorded three songs for David Ben Reuven and his group, Bread at the Gate.  The recording took place at a band member&#8217;s house, and presented some unique challenges. I took direct signals from each instrument and blended that with room mics.  Recording the group as a whole allowed each member to explore [...]]]></description>
			<content:encoded><![CDATA[<p>I recorded three songs for David Ben Reuven and his group, Bread at the Gate.  The recording took place at a band member&#8217;s house, and presented some unique challenges. I took direct signals from each instrument and blended that with room mics.  Recording the group as a whole allowed each member to explore their improvisations much as they would in a live performance situation: the soloist and other musicians work together and play off one another in real time.  This is much different from the &#8220;overdubbing&#8221; that is usually done in studio work.</p>
]]></content:encoded>
			<wfw:commentRss>http://www.scullysound.com/2005/03/27/bread-at-the-gate/feed/</wfw:commentRss>
		</item>
		<item>
		<title>Ethnic Heritage Ensemble</title>
		<link>http://www.scullysound.com/2005/02/05/ethnic-heritage-ensemble/</link>
		<comments>http://www.scullysound.com/2005/02/05/ethnic-heritage-ensemble/#comments</comments>
		<pubDate>Sat, 05 Feb 2005 18:36:09 +0000</pubDate>
		<dc:creator>Sarah</dc:creator>
		
		<category><![CDATA[folk]]></category>

		<category><![CDATA[jazz]]></category>

		<category><![CDATA[percussion]]></category>

		<category><![CDATA[reeds]]></category>

		<guid isPermaLink="false">http://www.scullysound.com/2005/02/05/ethnic-heritage-ensemble/</guid>
		<description><![CDATA[The EHE combines a unique blend of native and jazz instruments to explore African-influenced and free-form jazz.  The highlight of this show was the vocal contribution by Kahil El&#8217;Zabar.  Fortunately, the small size of the venue made it easy to capture this nuanced performance on the recording.
]]></description>
			<content:encoded><![CDATA[<p>The EHE combines a unique blend of native and jazz instruments to explore African-influenced and free-form jazz.  The highlight of this show was the vocal contribution by Kahil El&#8217;Zabar.  Fortunately, the small size of the venue made it easy to capture this nuanced performance on the recording.</p>
]]></content:encoded>
			<wfw:commentRss>http://www.scullysound.com/2005/02/05/ethnic-heritage-ensemble/feed/</wfw:commentRss>
		</item>
		<item>
		<title>Bill Cole&#8217;s Untempered Ensemble</title>
		<link>http://www.scullysound.com/2004/11/14/untempered-ensemble/</link>
		<comments>http://www.scullysound.com/2004/11/14/untempered-ensemble/#comments</comments>
		<pubDate>Sun, 14 Nov 2004 13:00:01 +0000</pubDate>
		<dc:creator>Sarah</dc:creator>
		
		<category><![CDATA[experimental]]></category>

		<category><![CDATA[jazz]]></category>

		<category><![CDATA[reeds]]></category>

		<guid isPermaLink="false"></guid>
		<description><![CDATA[As with Bill Cole&#8217;s previous appearance at Sangha, I used matched pair of small-diaphragm microphones set up about 15 feet from the stage.  The larger band and small stage area created a bit of a challenge, so I used a wider pattern to capture all of the instruments.  Fortunately, Sangha is a great [...]]]></description>
			<content:encoded><![CDATA[<p>As with Bill Cole&#8217;s previous appearance at Sangha, I used matched pair of small-diaphragm microphones set up about 15 feet from the stage.  The larger band and small stage area created a bit of a challenge, so I used a wider pattern to capture all of the instruments.  Fortunately, Sangha is a great recording space.  There is little street noise and the audiences are usually quiet for these gigs.</p>
]]></content:encoded>
			<wfw:commentRss>http://www.scullysound.com/2004/11/14/untempered-ensemble/feed/</wfw:commentRss>
<enclosure url="http://capitalcitystudios.com/sounds/BCUE.m3u" length="45" type="audio/x-mpegurl" />
		</item>
		<item>
		<title>Bill Cole and Warren Smith</title>
		<link>http://www.scullysound.com/2004/04/04/bill-cole-and-warren-smith/</link>
		<comments>http://www.scullysound.com/2004/04/04/bill-cole-and-warren-smith/#comments</comments>
		<pubDate>Sun, 04 Apr 2004 22:35:46 +0000</pubDate>
		<dc:creator>Sarah</dc:creator>
		
		<category><![CDATA[percussion]]></category>

		<category><![CDATA[reeds]]></category>

		<guid isPermaLink="false">http://www.scullysound.com/2006/02/16/bill-cole-and-warren-smith/</guid>
		<description><![CDATA[I first recorded Bill Cole and Warren Smith when they performed as a duo at Sangha in Takoma Park, MD.  Bill (double reeds) and Warren (percussion) have been performing together for years, a fact that reveals itself in their intuitive musical chemistry. Several months later I was asked to come back and record Bill&#8217;s [...]]]></description>
			<content:encoded><![CDATA[<p>I first recorded Bill Cole and Warren Smith when they performed as a duo at Sangha in Takoma Park, MD.  Bill (double reeds) and Warren (percussion) have been performing together for years, a fact that reveals itself in their intuitive musical chemistry. Several months later I was asked to come back and record Bill&#8217;s larger Untempered Ensemble.</p>
]]></content:encoded>
			<wfw:commentRss>http://www.scullysound.com/2004/04/04/bill-cole-and-warren-smith/feed/</wfw:commentRss>
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